Zarrīn Fām; Biannual journal of Museum Studies

Zarrīn Fām; Biannual journal of Museum Studies

Zarrīn Fām; Biannual journal of Museum Studies

Journal Archive

Issue 4
Volume 4, Issue 4 spring and summer (2025-2026)

Zarrīn Fām, Biannual Journal of Museum Studies

 Zarrīn Fām Journal is intended to provide researchers and experts access to the historical and artistic resources available in Astan Quds Razavi, to include scholarly-research articles for introducing the works of this valuable collection. Furthermore, since the historical and artistic similarity of the works of the museums of the world requires the exchange of scholarly findings of these collections, this journal also accepts articles related to the works of other museums of the world and, in general, museum knowledge, preservation and restoration of works. Zarrīn Fām Semiannual Journal tries to promote museum knowledge, with the aim of systematic preservation and protection of the works and heritage of the past, especially the works that provide researchers with documented information about the art history of Iran and the Islamic world.

The publishing license of "Zarin Fam" journal as a semiannual publication was issued by the Commission of the Press Supervisory Board of the Ministry of Culture and Islamic Guidance under the registration number 91319 on 1/22/2022.

Most Visited Articles
Historical Review of the Tilework in the Holy Shrine of Imam Ali (AS) Based on the Written and Pictorial Documents
Re-reading and Analysis of the Coins Minted in Shūshtar At the Astan Quds Razavi Museum
Continued Tradition of the Sasanian Art in the Islamic Architectural Decorations of Khorasan Prior to the Mongol Invasion
Iranian-Shiite Tomb Building Tradition in South Khorasan: Review of the Architecture of Imamzadeh Zeid al-Nar in Qaen County
The Technique of “Image-Making” in the Book-Decoration of Manuscripts in the Malek National Library and Museum Institute
Ancient Iranian Mythology Manifestations in the Imam Reza’s Shrine
The Dūstkāmis, Preserved in the Astan Quds Razavi Museum
Current Issue: Volume 3, Issue 4, September 2025, Pages 1-236 (Volume 4, Issue 4 spring and summer (2025-2026)) 

Keywords Cloud

  • Inscription
  • Architecture
  • Christian religious painting
  • Qajar era painting
  • pen case
  • Imam Reza Holy Shrine
  • Miniature Painting
  • form
  • Calligraphy
  • Painting
  • History
  • content
  • Architectural decorations
  • Shahnameh
  • Geometric patterns
  • Qajar Period
  • Motifs
  • hat
  • The Imperial crown jewels
  • Institutional Critique
  • Ziyarid
  • Tar-o-Poud Museum of Yazd
  • Naser al-Din Shah
  • Amir Timur Gurkani
  • Dastwā
  • and the continuity of Sasanian traditions in Islamic art
  • Timurid
  • Alternative Museology
  • Rug
  • fresco paintings
  • Meybod
  • Coffee House Painting
  • Tostir-min-al-Ahwaz
  • Farrokhzad
  • Mashhad
  • Colored Mortar
  • Qajar
  • Mahdi Quli Beq Bathhouse
  • the New Courtyard
  • Imam Reza (A.S.)
  • Fatihah pages
  • Mir Sayyid Ali
  • FDM 3D printing
  • prayer niche
  • Ibrahim b. Musa al-Kazim
  • Coin Treasury of Razavi Museum
  • Astan Quds Razavi Carpet Museum
  • Late Islamic centuries
  • historical texts
  • Decorative motifs
  • FTIR spectroscopy
  • Quran Museum
  • mathematical proportions
  • Sultan Ibrahim Mirza
  • Structuralism
  • collapse of the Sasanians
  • museum education
  • culture
  • Maragheh
  • “Rock-Cut Architecture”
  • Islamic art
  • Shūshtar
  • Majnun Rafiqi Heravi
  • Institutional Art
  • Contemporization
  • Symbol
  • The Holy Shrine of Imam Reza
  • Curator
  • “Typology”
  • Peacock
  • Follis
  • Mehr
  • Intangible Cultural Heritage
  • Rupee
  • Nader Shah
  • “Qamchogha Castle”
  • Manuscript Qurans
  • ‘Abbāsī
  • Imam Reza shrine
  • Samanid
  • qalam-dan (pen box)
  • Stucco
  • Iconography
  • Dūstkāmy
  • Sword
  • Coffeehouse painting
  • Afriz
  • Qajar Painting
  • Layla b. Nu‘mān
  • button
  • DOTS
  • Safavid buildings
  • narrative themes
  • Barz-qawela site
  • the Qajar period
  • Safavid period
  • Papier-mâché
  • papier-mâché
  • Professional responsibility
  • Grid System
  • calligraphy treatises
  • mosque
  • microscopic analysis
  • Gold filigree
  • Modernist Graphic Design
  • the Holy Shrine of Imam Ali (AS)
  • themes
  • Mawlana Kopak
  • samanids
  • form and motif
  • Khoddam\'s garments
  • lusterware
  • , Lacquer Painting, Safavid Period, Qazvin School, Isfahan
  • Astan Quds Museum
  • the Persian miniature painting
  • Aesthetics
  • Numismatics
  • historical papers
  • Islamic Traditions
  • An-Najaf al-Ashraf (Arabic: ٱلنَّجَف ٱلْأَشْرَف)
  • head cover
  • Illumination
  • coin minting
  • Bīstī
  • Yaqut Musta\'simi
  • Pardeh Darvishi
  • Applied Geometry
  • Shahsavar Izeh
  • staff
  • lithography
  • Safavid Tabriz School
  • manuscripts
  • Islamic Cemetery
  • Mokhtar Saqafi
  • Book illumination
  • Astan Quds Razavi Museum
  • mint
  • “Qalāqoura”
  • Ashrafī
  • Body
  • Shahnameh of Ferdowsi
  • awareness
  • painting of tent-pitching of nomads in the foothills
  • Women
  • Shāhī
  • Wall Painting
  • Ghaznavid
  • lacquered
  • Tarazabad
  • tilework
  • Caravanserai
  • the copying of the Quran
  • Ritual objects
  • Image-making technique
  • Khamsa of Tahmasbi
  • Rights
  • Book decoration
  • Jami\'s Silsilat al-Dhahab
  • Motif
  • Sasanian coins
  • Qaen County
  • Filament
  • Artists&‌‌‌‌‌‌‌‌‌‌‌‌‌rsquo
  • Iran
  • Bala sar Mosque
  • Abū al-Qāsim Sīmjūr
  • the Kufic Script
  • Rostam
  • The ʿAbbāsid tirāz textile
  • Neishabur
  • Illustration
  • Iranian&‌‌‌‌‌‌‌‌‌‌ndash
  • Islamic governments
  • Alawites of Tabaristan
  • Colorimetry
  • Qajar Era
  • Hosseiniyeh Kababi Birjand
  • Contemporary design
  • Safavid
  • fabric pattern
  • Coin
  • iconography of motifs
  • Andarznameh
  • the archaeology of Khorasan
  • Astan Quds Razavi
  • ultraviolet radiation (UV)
  • haft rang (Persian: seven colours) tiles
  • Meta-Synthesis
  • inscriptions
  • Ashkobus
  • Library of Congress
  • Safavid architecture
  • Imam Reza\'s shrine
  • Correlation
  • Professionalization of Art
  • Museum
  • mythology
  • Qirān-i Nādirī
  • Sasanian art
  • Contemporary Art